SANGUIVOROUS (“Kyuketsu” 吸血) [Tatsuya Nakatani | Eugene Chadbourne]

Started by Jamison Williams, November 06, 2013, 03:35:53 PM

Jamison Williams

Experimental Arts Union of Florida / SUN-RAY CINEMA presents
NOVEMBER 7th 2013
at Sun-Ray Cinema at 5 Points | Riverside

PURCHASE ADVANCED TICKETS:
http://www.sunraycinema.com/event/sanguivorous-with-live-score-by-nakatani-chadbourne/

Tidepoint Pictures presents
SANGUIVOROUS ("Kyuketsu" 吸血)
[Silent Japanese Vampire Horror Film]

A film by Naoki Yoshimoto

starring
Ko Murobushi
Ayumi Kakizawa
Masaya Adachi
Mutsuko Yoshinaga

with live film soundtrack
provided by LEGENDARY MUSICIANS:

Tatsuya Nakatani
[Percussion]
http://www.hhproduction.org/

Eugene Chadbourne
[banjo / guitar]
http://www.eugenechadbourne.com/

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SANGUIVOROUS (Kyuketsu, 吸血, 2012), the first silent Japanese vampire movie, goes for the jugular in a feeding frenzy through New York, Philadelphia, Indianapolis, Hudson and Washington, DC. With live musical accompaniment by Japanese percussionist Tatsuya Nakatani and banjoist/guitarist Eugene Chadbourne; this unprecedented event combines experimental filmmaking, cutting-edge contemporary music, dance theatre — and fangs.

SANGUIVOROUS is written and directed by Japanese filmmaker Naoki Yoshimoto, and features the renowned avant-garde butoh dancer Ko Murobushi.

"A young woman suffering from mysterious physical ailments is horrified to discover that she's descended from generations of vampires. When with her boyfriend, she struggles to control her peculiar appetite. But it's in her blood..."

Presented by Tidepoint Pictures, the Santa Fe-based Asian motion picture distributor, SANGUIVOROUS promises an evening of electrifying artistic collaboration. The music is live. The vampires — not so much.

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TATSUYA NAKATANI
http://www.hhproduction.org/

Tatsuya Nakatani is a creative percussionist originally from Osaka, Japan.

He has been residing in the USA since 1994 and is currently based in Easton, PA.Since the late 1990s, Mr. Nakatani has released over sixty recordings in the USA and Europe and has performed countless solo percussion concerts through intensive touring. He has also collaborated with hundreds of other artists internationally and presented masterclasses, workshops and lectures across the USA and around the world.

Nakatani's approach to music is visceral, non-linear and intuitively primitive, expressing an unusually strong spirit while avoiding any categorization. He creates sound via both traditional and extended percussion techniques, utilizing drums, bowed gongs, cymbals, singing bowls, metal objects and bells, as well as various sticks, kitchen tools and homemade bows, all of which manifest in anintense and organic music that represents a very personal sonic world. His approach is steeped in the sensibilities of free improvisation, experimental music, jazz, rock, and noise, and yet retains the sense of space and quiet beauty found in traditional Japanese folk music. His percussion instruments can imitate the sounds of a trumpet, a stringed instrumentor an electronic device to the extent that it becomes difficult to recognize the source of the sound. He has devoted himself to a musical aesthetic where rhythm gives way to pulse, often in a way that is not always audible or visible, in currents that incorporate silence and texture.Nakatani's primary music activities include
solo percussion performance, N.G.O. (Nakatani Gong Orchestra) and collaborations with musicians and dancers both in live performance and recordings.

Tatsuya Nakatani has spent the past several years traveling and performing extensively throughout the United States and beyond. His constant touring fosters the raw and fresh quality in his music, which can only survive through an open willingness to share energy, culture, music and self on a global human scale. He has toured and performed in Japan, China, Canada, Mexico, France, Germany, England, Scotland, Belgium, Netherlands, Portugal, Poland,Ukraine, Denmark, Sweden, Norway, Argentina, Chile, Israel and across the USA, coast to coast. While touring, he also conducts master classes and workshops at schools and universities, emphasizing his unique musical approach and philosophy.

Tatsuya collaborates and performs with a wide range of artists, from internationally renowned musicians to students of all ages, occupations and musical skill levels.

Nakatani has performed in all sorts of venues worldwide, from international musicfestivals to local community centers, artist lofts to university concert halls, including a recent performance at the Kennedy Center in Washington, D.C. He values and appreciatesgrass-roots organized shows set up and promoted by local musicians and promoters in all types of settings - independent artist organizations, clubs and bars, private lofts, squat houses, coffee shops and even packed houseshows run by enthusiastic college kids.

Nakatani also works as a sound designer for film and television and heads his own H&H Production, an independent record label and recording studio based in Easton, Pennsylvania.
He was selected as a performing artist for the Pennsylvania Performing Artist on Tour (PennPat) roster and was also awarded a Bronx Arts Council Individual Artist grant.


EUGENE CHADBOURNE
http://www.eugenechadbourne.com/

Eugene Chadbourne (born January 4, 1954 in Mount Vernon, New York) is an American improvisor, guitarist and banjoist. Highly eclectic and unconventional, Chadbourne's most formative influence is free jazz. He has also been a reviewer for Allmusic and a contributor to Maximum RocknRoll.

Chadbourne started out playing rock and roll guitar, but quickly grew bored[citation needed] with the form's conventions. He then studied other genres, including blues, country, bluegrass, free jazz, and noise—eventually synthesizing all those heterogeneous influences into a unique style of his own.[citation needed] He was also influenced early on by the experimental stylings of Captain Beefheart and the Mothers of Invention. A notable solo album, Songs (Intakt 026: 1993), features politically oriented originals, such as "Knock on the Door" and "Hello Ceausescu", and covers, such as Nick Drake's "Thoughts of Mary Jane", and Floyd Tillman's "This Cold War With You".

Chadbourne invented an instrument known as the electric rake, made by attaching an electric guitar pickup to an ordinary lawn rake.[2] He plays a duet of electric rake and classical piano with Bob Wiseman on Wiseman's 1991 Presented By Lake Michigan Soda.

Chadbourne has worked with numerous artists including John Zorn, Fred Frith, Derek Bailey, Han Bennink, Carla Bley Band, Paul Lovens, René Lussier, Toshinori Kondo, Kommissar Hjuler und Frau, Camper Van Beethoven, Jello Biafra, Turbonegro, They Might Be Giants, Sun City Girls, Violent Femmes, Aki Takase, Walter Daniels, Kevin Blechdom, Biff Blumfumgagnge, Zu and Jimmy Carl Black.
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Thursday, November 7th, 2013
Sun-Ray Cinema at 5 Points | Riverside
1028 Park St Jacksonville, FL 32204
(904) 359-0047
www.sunraycinema.com/

Experimental Arts Union of Florida
http://www.eauf.org/

PLEASE SUPPORT EXPERIMENTAL ARTS.
Jamison Williams is a soprano saxophone player specializing in experimental deconstructionism, and extended techniques; he currently heads up the EAUF (Experimental Arts Union of Florida). Resides in Jacksonville, Florida.